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AIA UK Student Workshop Builds Core Drawing and Representation Skills

Fiona Mckay

AIA UK hosted its first Student Workshop on 18 October 2025 as an online event. The session strengthened manual drawing and digital representation skills for Part 1 architecture students. Many attendees also planned to join the upcoming Student Charrette, so the workshop offered early preparation and skill building.

Jamar Rock, Assoc AIA, Graphics Chair of AIA UK, opened the session with a focused talk on digital representation. He outlined his work in architectural graphics and showed examples that highlighted clarity, hierarchy and precision. He then offered guidance on portfolio layout. He stressed consistent structure, clear labelling and strong narrative flow. Students asked questions about page composition and the use of diagrams to explain design decisions.

Lulu Yang, Assoc AIA, JEDI Chair of AIA UK, followed with a session on manual sketching. She introduced her approach to observational drawing and explained how quick studies help you understand proportion, shade and character. She completed a short live demo using a still image. Students observed the process step by step and produced their own sketches during the exercise.

The workshop created an environment where students could test ideas, ask questions and receive direct feedback from practitioners. The combination of digital and manual methods gave participants a balanced set of tools for design communication. Many students said the session increased their confidence before the Charrette.

AIA UK plans to continue these workshops to support early career designers and strengthen communication skills across the student community.

Written by Paolo Mendoza, Assoc AIA

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Movie Night - Aldo Rossi Design

Fiona Mckay

Photo Credit: Chris Musangi, AIA

We started the Autumn movie screenings with a sold-out, full-capacity showing of Aldo Rossi Design on 21st of October 2025. The evening celebrated the life and work of Aldo Rossi — a leading figure of the Neo-Rationalist movement and one of the most influential architectural thinkers of the 20th century. Recognised for his profound contributions to architectural theory, particularly through his seminal book The Architecture of the City, Rossi redefined the way architects understand urban form, memory, and the collective identity of place.

His work, deeply rooted in his native northern Italy, reflects a fascination with the simplicity of geometric form and a poetic connection to history. Projects such as the hauntingly beautiful San Cataldo Cemetery in Modena and the ethereal Teatro del Mondo, a floating theatre constructed for the Venice Biennale, exemplify his ability to merge timeless archetypes with contemporary design sensibilities.

The documentary not only explored Rossi’s designs and their enduring influence but also provided a fascinating look at the relationships he fostered throughout his career. Architect Daniel Libeskind, a frequent interviewee in the film, offered thoughtful reflections on his time working with Rossi. Their relationship was one of mentorship and inspiration — Libeskind has often credited Rossi as a guiding influence on his architectural philosophy and even paid homage to him in later works, such as his miniature “water tower” for Alessi, which reinterprets one of Rossi’s iconic urban artefacts.

Through archival footage, rare design prototypes, and intimate commentary, Aldo Rossi Design offered an absorbing window into the mind of a true modern master. The 40-minute documentary was concise yet impactful — short, succinct, and wonderfully effective in conveying Rossi’s depth of vision. The screening concluded with a lively discussion, with many attendees expressing their wish that the film had been longer.

Thank you to everyone who joined us for this memorable evening and for your continued support of our movie night series.

Written by Chris Musangi, AIA

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From Intent to Impact: Designing for Everyone

Fiona Mckay

On October 8th, AIA UK hosted the first Diversity Equity and Inclusion focused event of the year.

In her talk, From Intent to Impact: Designing for Everyone, Natasha Trotman explored how inclusive and neurodiverse design can transform the built environment when we shift from intent to actionable impact. She unpacked key terminology around neurodiversity and neurodivergence, highlighted the differences between medical, charity, and social models of disability, and emphasised how co-production and intersectionality can foster truly inclusive design outcomes.

Some of the key takeaways included:

  • Understanding that diversity of minds is the norm, not the exception — there is no one “standard” brain.

  • The importance of moving beyond compliance to embed inclusion throughout the design lifecycle — from briefing to facilities management.

  • Applying neuroinclusive principles such as sensory zoning, multisensory wayfinding, and quiet restorative spaces.

  • Recognising the power of “Nothing About Us Without Us” — engaging people with lived experience as co-producers, not just participants.

  • Taking practical steps such as sensory audits, inclusive design review panels, and reflective practice to move from awareness to sustained impact.

We thank Natasha Trotman for speaking with the chapter and the attendees for their thoughtful engagement throughout the session. It was truly inspiring to see such a mix of perspectives and reflections from across our community. We also want to thank everyone who contributed to the Mentimeter poll. Your input will help us shape the themes and direction of our upcoming DEI sessions.

Our next DEI event will take place in the new year — please keep an eye out and follow AIA UK on social media for updates and future talks.

Thank you again for being part of this important and evolving conversation.


Written by Lulu Yang, AIA

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AIA UK Remembers - Sir Nicholas Grimshaw and Sir Terry Farrell

Fiona Mckay

While the world’s architectural press lauds the legacy of two architectural giants – Sir Nicholas Grimshaw, Hon FAIA (1939-2025) and Sir Terry Farrell, Hon FAIA (1938-2025) -  AIA UK also remembers their critical, poignant support of our Chapter in its long ago early days. 

Remembering that the careers of the two men were closely entwined in a partnership from the mid-1960s until 1980, it is fitting that AIA UK honours them both in this combined memorial.    

Sir Nicholas Grimshaw 

Grimshaw was a pioneer in the high tech architectural movement, as seen in projects such as the Waterloo International Terminal and the Eden Project.  He was elected as an AIA Honorary Fellow in 1994.  

From an AIA UK perspective, the International Terminal – winner of the Chapter’s 1st Design Awards in 1995 - was one of his most notable achievements.  The Award jurors – a distinguished group, including Sir Phillip Dowson, David Leventhal, Rick Mather, Stephen Reinke and  Zaha Hadid – described the Terminal as ‘a celebration of movement and technology’… 

AIA UK Newsletters #04 and #05, which announced the award, can be read in full HERE and HERE.

Grimshaw Architects maintained connections with AIA UK over the next 30 years, including its hosting of the ‘New York, Ten Years On’ lecture in 2012 by Andrew Whalley (read HERE) and a lecture on the Eden Project.

The practice’s virtual tour of the renovated London Bridge Station in 2022 – one of the best of the covid era - can be watched HERE.

Sir Terry Farrell 

Farrell was a key proponent of the postmodernist movement, as exemplified in projects such as the MI6 Building at Vauxhall and the 1980 Venice Architectural Biennale.  He was elected as an AIA Honorary Fellow in1998. 

From an AIA UK perspective, he is best remembered for his enthusiastic involvement in one of the Chapter’s earliest Student Design Charrettes in 1997. Newsletters #20, which described the event, can be read in full HERE.

As one of a distinguished lineup of speakers, Farrell also joined the AIA Professional Interest Area / International Committee’s 1998 London Conference, addressing the attendees at a spectacular closing diner at the Whitehall Banqueting Hall.  With Charles Jencks, Fred Koetter and Rick Mather, he later took part in a memorable AIA/RIBA ‘Urban Head to Head’ seminar.  


AIA UK Newsletters #25 and #26, describing the two events, can be read in full HERE and HERE.  Although the seminar is recorded in some detail in the article, the lack of a virtual record of what must have been a thought provoking event can only be regretted.

We fondly remember these esteemed architects and the significant contributions they made - both individually and together - to the profession, our Chapter, and the understanding of what architecture can be and can do.  

Written by Lorraine King, AIA

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Iris Ceramica Update: Design Awards Insights Night

Fiona Mckay

On the 20th of May, the opening night of Clerkenwell Design Week 2025, Iris Ceramica hosted a special event in collaboration with AIA UK. This was a follow up to the Excellence in Design Awards which were held in April and featured all winners, who provided a brief presentation of their project at Iris Ceramica's showroom and gallery.

Inspiring presentations were followed by an intriguing Q+A focused on project parameters, process and design approach, leading to the design excellence demonstrated by the projects. We congratulate the 2025 winners and thank Iris Ceramica for their ongoing support of the chapter and the 2025 design awards.

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2025 AIA UK Excellence in Design Awards

Fiona Mckay

Each year the AIA-UK recognises architectural design excellence through our annual Design Awards. This year, as we approach the 30th iteration of our awards, the AIA UK Board decided to reshape them in four fundamental ways.

Firstly, acknowledging that we are run by and for UK members, we focussed recognition on the excellence of architecture built in the UK only; historically our awards recognised architecture built anywhere in the world.

Secondly, we were keen to more explicitly acknowledge the positive roles architectural design plays in what it does for the people and places in which it is built, so we created broader categories that emphasise the importance of architectural design as a positive integrated intervention within larger social, political, economic, environmental, and physical contexts; historically we have used the rather blunt categories of scale and/or typology.

Thirdly, we wanted to acknowledge the breadth of architectural practice today, from the smallest of spatial interventions to the largest of regenerative infrastructure and landscape, and so we opened entries to any scale or type of project designed by an architect; historically our awards recognised only a traditional notion of the singular building.

Lastly, and perhaps most importantly, acknowledging the vital role of architects in the climate emergency, we continued to ratchet up the base level of environmental sustainability required for entries. We further integrated sustainable approaches and climate impact across both measurable metrics and more holistic approaches as a key criteria for the selection for all winners, valuing both detailed technical approaches, and strategic design decisions to minimise environmental impact and improve the sustainability of projects and their contexts in the broadest possible sense.

To judge this year's awards we were honoured to have the expertise of a fantastic range of jurors: Alison Brooks (Director and Founder of Alison Brooks Architects, and Chair of the Jury), DaeWha Kang (Founder and Director of DaeWha Kang Design), Edoardo Tibuzzi (Design Director, AKT II Engineering), and Ellie Stathaki (Architecture & Environment Director, *Wallpaper Magazine).  The jury convened in-person in April to review a diverse range of projects from across the four nations of England, Scotland, Wales, and Northern Ireland, ranging from a tiny isolated picnic lodge, and single family home renovations in suburbia, to new corporate headquarters, vast science laboratories, major infrastructure projects, and pretty much everything in between.  

Taking advantage of the renewed criteria, the jurors firstly rigorously narrowed the entrants down by design excellence in their various contexts.  From this selection of projects they collectively decided to award projects in the following categories: 

  • 'Beyond The Brief', recognising the project that went far beyond the original brief to create something especially impactful for its contexts: 

  • 'Outstanding Conservation Project': recognising the importance of architectural design in carefully and thoughtfully restoring historic projects to be conceptually honest to the original structure whilst also bringing the structure up to current building standards, especially around accessibility and energy performance.

  • 'Outstanding Small Project': recognising the power of architectural design to transform the daily lives of its users in highly constrained sites and contexts

  • 'Innovation & Beauty': the project that exemplified particular innovation in architectural design to create moments of beauty in contexts where design is not commonly present or deemed necessary

  • 'Outstanding Place to Commute’: recognising the fundamental role of design in our transitory spaces and transport infrastructure, to move us not only physically but also emotionally too, creating spaces of movement between places and spaces comfortable, practical, durable, and uplifting. 

  • 'Outstanding Adaptive Reuse': recognising the vital importance of reusing existing structures not only to preserve contexts and reduce our environmental impact, but also to give new life to places in meaningful and contextually relevant ways through the act of adaptive reuse.

On a pleasant Spring evening in April we hosted our Design Awards Gala Summer Party at Denys Lasdun's brutalist masterpiece of the Royal College of Physicians on Regent's Park. Our members were delighted to be joined by many colleagues and friends from the RIBA, allied professions, and the media. After fine canapes and free-flowing drinks in the gardens, accompanied by the performances of two exceptional classical musicians from the Royal College of Music, the awards were presented to the following winners:

(The jurors' comments on the winners can be found on our Design Awards 2025 website page)

Following the awards ceremony, the party continued in the Royal College and its gardens.   

Ultimately our 2025 Excellence in Design Awards were a communal coming together to reassert the vital importance of architects and thoughtful architectural design to improve the world in which we all share.  They were a celebration of UK design work across scales and typologies that actively engages with its various contexts and communities as sustainably as possible to positively impact how we live, work, rest, and play everyday, and so help to shape a better world for all.

Our Design Awards are the result of the hard work of many people for many months behind the scenes. We would like to express particular thanks to: our jurors for their dedication, time, and commitment; all the entrants for their time and effort in applying; the Royal College of Physicians for hosting us and providing excellent canapes and drinks; the AIA Board for all their input, help, and logistical support - especially our Vice President Adelina Kolkeva, President Mark E Breeze, Sponsorship Directors Michael Lischer and David Martin, Social Media Director Fiona Edwards, Graphics Director Jamar Rock, and our Chapter Executive Genie Khmelnitski; and lastly, and very importantly, our generous ongoing headline sponsor for the event, Iris Ceramica Group, who have continued to comprehensively and generously support our Design Awards, making it a key signature event in the year.

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